Stationary Fronts was written in 1999 at my home studio in Kansas City, MO. This work explores my interest in "hard, loud, and fast" music and the relationship between two seemingly opposing forces. The tape part for Stationary Fronts was created entirely using recorded samples of a flute session with Thomas Clement. Samples were manipulated, sequenced, and mixed using Csound.
Stationary Fronts is dedicated to flutist Thomas Clement.